![koloman moser 13th vienna secession koloman moser 13th vienna secession](https://i.pinimg.com/originals/36/ce/b8/36ceb8012f57b790638bdb340332e928.jpg)
If you would like to reproduce text from a MoMA publication, please email. For more information about film loans and our Circulating Film and Video Library, please visit. For access to motion picture film stills for research purposes, please contact the Film Study Center at. Motion picture film stills cannot be licensed by MoMA/Scala.
![koloman moser 13th vienna secession koloman moser 13th vienna secession](http://www.theviennasecession.com/wp-content/uploads/2011/12/vienna_secession_thirteenth_exhibition_poster.jpg)
#KOLOMAN MOSER 13TH VIENNA SECESSION LICENSE#
All requests to license archival audio or out of copyright film clips should be addressed to Scala Archives at. At this time, MoMA produced video cannot be licensed by MoMA/Scala. MoMA licenses archival audio and select out of copyright film clips from our film collection. Max Klinger (1857-1920): Beethoven statue.If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), please contact Art Resource (publication in North America) or Scala Archives (publication in all other geographic locations). It also proved fundamentally important to Klimt’s further development, as well as that of numerous other participating artists: the ideal of the interplay and aesthetic integration of all artistic disciplines and the collaboration tested in the Beethoven exhibition was successfully continued by the Wiener Werkstätte, among others. Today the Beethoven Frieze is considered one of Klimt’s key works and one of the high points of Viennese Art Nouveau.
![koloman moser 13th vienna secession koloman moser 13th vienna secession](http://www.thegiant.org/wiki/images/e/e3/Nouveau-red.jpg)
The XIVth exhibition drew nearly 60,000 visitors, thus becoming one of the Secession’s greatest public successes. The Vienna Secession (German: Wiener Secession also known as the Union of Austrian Artists, or Vereinigung Bildender Künstler Österreichs) is an art movement, closely related to Art Nouveau, that was formed in 1897 by a group of Austrian painters, graphic artists, sculptors and architects, including Josef Hoffman, Koloman Moser, Otto Wagner and Gustav Klimt.An opening in the wall offered a view of Max Klinger’s Beethoven statue, indicating the interplay of architecture, painting (Klimt’s Beethoven Frieze) and sculpture (Klinger’s Beethoven) as soon as the visitor entered. The declared aim of the exhibition was to reunite the separate arts – architecture, painting, sculpture and music – under a common theme: the “work of art” was to emerge from the interplay of the design of the rooms, the wall paintings and sculpture. Klimt’s monumental wall cycle was located in the left-hand aisle, which visitors to the exhibition entered first. In addition to Klimt’s Beethoven Frieze, wall paintings and decorations by Alfred Roller, Adolf Böhm, Ferdinand Andri and numerous other artists were presented. The exhibition centered around Max Klinger’s Beethoven statue placed in the main hall.A total of 21 artists collaborated on the exhibition under the direction of Josef Hoffmann (1870-1956).Gustav Klimt (1862-1918): Beethoven frieze.Max Klinger (1857-1920): Beethoven statue.
![koloman moser 13th vienna secession koloman moser 13th vienna secession](https://i.pinimg.com/736x/06/ee/2a/06ee2a5f2e097f3049ea2f51dfb73c71--koloman-moser-exhibition-poster.jpg)
President Carl Julius Rudolf Moll (1861-1945).Included a memorial dedicated to artists Giovanni Segantini.Charles Rennie Mackintosh (1868-1928) and Margaret Macdonald Mackintosh (1864-1933) exhibition room.The wall motifs, furniture and woodwork all deisgned by Hoffmann created a harmony between decoration and functionalism, and illustrated the Association’s concept of Gesamkunstwork (a harmony of the arts). The first exhibition also included an additional room designed by Josef Hoffmann called the ‘Ver Sacrum room’ which introduced for the first time ‘Secession style’ to the public. Contrary to the traditional salon-style arrangement of pictures of the Künstlerhaus which had painting hung vertically up to the ceiling, Olbrich and Hoffmann hung all the pictures at eye level against backgrounds of white, dark red and dark green. The exhibition was also revolutionary in its approach to exhibition forms of exhibition design, primarily the responsibility of Josef Hoffmann (1870-1956) and Joseph Maria Olbrich (1867-1908). It was considered a financial success by the organizers and received positive reviews from most critics. The first exhibition attracted 57,000 visitors including Franz Josef I, Emperor (1830-1916) and a total of 218 works were sold.Kunstausstellung der Vereinigung Bildender Künstler Österreichs.Gartenbau-Gesellschaft (Imperial and Royal Horticultural Society) a large venue on Parkring in central Vienna. Data: Opened 26-03-1898 and ran for 3 months.